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Popular music --- History and criticism --- Analysis, appreciation --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions
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Popular music --- #SBIB:309H142 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Social aspects --- Populaire muziek: functies, muziekgenres, historiek
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A comprehensive introduction to the inner workings of rock music, The Foundations of Rock goes back to the heart of the music itself from the time of its birth through the end of classic rock. Walter Everett expertly takes readers through all aspects of the music and its lyrics, leading fans and listeners to new insights and new ways to develop their own interpretations of the aural landscapes of their lives. Written with style, Everett does not depend on musical notation nor professional jargon, but rather combines text with nearly 300 newly written audio examples (performed on the companion website) and more than 100 expertly chosen photographs, to offer a rich text-and-web experience that brings new meanings to songs that have dominated music for a half-century.
Rock music --- Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Analysis, appreciation. --- Analysis, appreciation
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"Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is a pioneering examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic and psychic violence. The study then elaborates working definitions of key terms (including the vexed idea of the 'popular') for the purposes of this investigation, and provides a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The second half of the book concentrates on the modern era, marked in this case by the emergence of technologies by which music can be electronically augmented, generated, and disseminated, beginning with the advent of sound recording from the 1870s, and proceeding to audio-internet and other contemporary audio-technologies. Johnson and Cloonan argue that these technologies have transformed the potential of music to mediate cultural confrontations from the local to the global, particularly through violence. The authors present a taxonomy of case histories in the connection between popular music and violence, through increasingly intense forms of that relationship, culminating in the topical examples of music and torture, including those in Bosnia, Darfur, and by US forces in Iraq and Guantanamo Bay. This, however, is not simply a succession of data, but an argumentative synthesis. Thus, the final section debates the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human"--Provided by publisher.
Music and violence. --- Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Violence and music --- Violence --- Social aspects.
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An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry.
Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism. --- Kanada. --- Kanada --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Canada --- Puissance du Canada --- Kanadier --- Provinz Kanada --- 01.07.1867 --- -Popular music
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Composers --- Enka --- Popular music --- J2284.70 --- J6742 --- J6754 --- J6800.70 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism --- Political aspects&delete& --- History --- Social aspects&delete& --- Japan: Genealogy and biography -- biographies -- kindai (1850s- ), bakumatsu, meiji, taishō --- Japan: Performing arts and entertainment -- music -- vocal music -- folk songs and popular songs --- Japan: Performing arts and entertainment -- music -- popular music --- Japan: Performing and media arts -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Soeda, Azenbō, --- Soeda, Heikichi, --- Soeda, Azembō, --- 添田亜蝉坊, --- 添田亞蝉坊, --- 添田亞蟬坊, --- 添田啞蟬坊, --- Soeda, Azenbō, 1872-1944. --- Popular music -- Social aspects -- Japan -- History. --- Popular music -- Political aspects -- Japan -- History. --- Composers -- Japan -- Biography. --- Enka -- History and criticism. --- Political aspects --- Social aspects
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In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."
Popular music --- Rap (Music) --- Underground dance music --- Grunge music --- Nineteen eighty-nine, A.D. --- 1989 A.D. --- Nineteen hundred eighty-nine, A.D. --- Year nineteen eighty-nine, A.D. --- Nineteen eighties --- Grunge rock music --- Alternative rock music --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Dance music --- Electronica (Music) --- Remixes --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism. --- acid house. --- bands. --- cultural studies. --- de la soul. --- dr dre. --- entertainment industry. --- fall of the berlin wall. --- gangsta rap. --- george micheal. --- grunge music. --- historical. --- history. --- jesus jones. --- lyrical theory. --- madonna. --- media studies. --- music studies. --- music. --- musicians. --- nine inch nails. --- nirvana. --- nwa. --- performing arts. --- political aesthetics. --- politics. --- pop music. --- popular music. --- public enemy. --- rap music. --- retrospective. --- roxette. --- singers. --- social context. --- the end of history. --- the klf. --- the scorpions. --- u2.
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