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book (7)


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English (7)


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2009 (7)

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Book
American popular music
Authors: --- ---
ISBN: 0077414985 Year: 2009 Publisher: New York, New York : McGraw-Hill Education,

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Book
Understanding society through popular music.
Authors: ---
ISBN: 9780415954099 9780415954082 0415954088 0415954096 Year: 2009 Publisher: New York Routledge


Book
The foundations of rock : from "Blue suede shoes" to "Suite : Judy blue eyes"
Author:
ISBN: 0199724075 1281825875 9786611825874 0199718709 9780199718702 9780195310238 0195310233 9780195310245 0195310241 9780199724079 9781281825872 6611825878 Year: 2009 Publisher: Oxford ; New York : Oxford University Press,

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A comprehensive introduction to the inner workings of rock music, The Foundations of Rock goes back to the heart of the music itself from the time of its birth through the end of classic rock. Walter Everett expertly takes readers through all aspects of the music and its lyrics, leading fans and listeners to new insights and new ways to develop their own interpretations of the aural landscapes of their lives. Written with style, Everett does not depend on musical notation nor professional jargon, but rather combines text with nearly 300 newly written audio examples (performed on the companion website) and more than 100 expertly chosen photographs, to offer a rich text-and-web experience that brings new meanings to songs that have dominated music for a half-century.


Book
Dark side of the tune
Authors: ---
ISBN: 1315095122 1351570153 1351570161 9786612261466 1282261460 0754699609 9780754699606 0754658724 9780754658726 9781409400493 1409400492 9781282261464 Year: 2009 Publisher: Farnham, England Burlington, VT Ashgate

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"Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is a pioneering examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic and psychic violence. The study then elaborates working definitions of key terms (including the vexed idea of the 'popular') for the purposes of this investigation, and provides a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The second half of the book concentrates on the modern era, marked in this case by the emergence of technologies by which music can be electronically augmented, generated, and disseminated, beginning with the advent of sound recording from the 1870s, and proceeding to audio-internet and other contemporary audio-technologies. Johnson and Cloonan argue that these technologies have transformed the potential of music to mediate cultural confrontations from the local to the global, particularly through violence. The authors present a taxonomy of case histories in the connection between popular music and violence, through increasingly intense forms of that relationship, culminating in the topical examples of music and torture, including those in Bosnia, Darfur, and by US forces in Iraq and Guantanamo Bay. This, however, is not simply a succession of data, but an argumentative synthesis. Thus, the final section debates the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human"--Provided by publisher.

Canuck rock
Author:
ISBN: 1442697490 9781442697492 9781442697065 1442697067 9780802099891 9780802097156 0802099890 0802097154 9780802095190 0802095194 Year: 2009 Publisher: Toronto [Ont.] University of Toronto Press

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An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry.


Book
A life adrift : Soeda Azembō, popular song, and modern mass culture in Japan.
Author:
ISBN: 0710313373 9780710313379 9780203886212 9781135784607 9781135784645 9781135784652 9780415592161 Year: 2009 Publisher: London Routledge


Book
1989 : Bob Dylan didn't have this to sing about
Author:
ISBN: 1282772635 9786612772634 052094464X 9780520944640 9781282772632 9780520267879 0520267877 9780520252554 0520252551 Year: 2009 Publisher: Berkeley : University of California Press,

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In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."

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